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Showing posts with label Websites. Show all posts
Showing posts with label Websites. Show all posts

Wednesday, October 23, 2013

MyArtSpace


I got a curt email from Natalie Toppin:
"Whatever happened to MyArtSpace.com?"
I didn't have a clue what she was talking about, so I went to the site. It isn't there and there is no explanation as to why. I hate that like I hate failed business owners who post "we're renovating" notices when, in fact, they have failed and closed. The owners of MyArtSpace could have kept their homepage up and explained their decision, but they didn't, so I had to do some research...
The owners of Myartspace (MAS) recently decided to pull the plug on the project -- which means they pulled the plug on any artist who put in hours of work building a presence on MAS. We all know that a website can close. Unfortunately, Myartspace did not warn their membership -- they technically were not obligated to offer a warning due to their terms of service (TOS) agreement. Fair enough. That said, the decision to close abruptly has angered more than a few artists and fans of the Myartspace ….

… Imagine the surprise of waking up to discover that you lost all of your art contacts on a social networking site that you had invested time in. In addition to that, imagine losing images of your art -- that you assumed would continue to be safely hosted -- that can't be replaced. Again, I understand the frustration -- the anger -- but I also realize that there is a lesson to be learned from the closing of Myartspace.

The lesson is a cruelly simple one -- if you are going to market your art online, make sure to keep physical records of your art contacts and images.
Link to the article from which the above was taken.
Link to another article on the Myartspace closing.

Saturday, June 8, 2013

How To Display Your Artwork Online


A blog very popular with artists is lines and colors and it hosts two great posts about displaying your artwork online—one is about how NOT to show your work, the other is about HOW TO do so well.

This is intended as a rough guide for illustrators, gallery artists, cartoonists, comics artists, concept artists and other visual artists who want to present a professional representation of their work on the web. If you’re just putting up your stuff for the benefit of your friends, do what you want, it doesn’t matter. If, on the other hand, you’re trying to have your art seen by art directors, publishers, gallery owners, webcomics readers, reviewers and prospective buyers, how you present it can make a big difference in how it’s viewed and received.
 Link.

Proof that Brevity is Essential Online


And so is a powerful opening... but I digress...  Here is how an article about online concentration and focus opens. I think it is a MUST READ for everyone seriously invested in on online presence. It is from Slate.com.

I’m going to keep this brief, because you’re not going to stick around for long. I’ve already lost a bunch of you. For every 161 people who landed on this page, about 61 of you—38 percent—are already gone. You “bounced” in Web traffic jargon, meaning you spent no time “engaging” with this page at all.  
So now there are 100 of you left. Nice round number. But not for long! We’re at the point in the page where you have to scroll to see more. Of the 100 of you who didn’t bounce, five are never going to scroll. Bye! OK, fine, good riddance. 
So we’re 95 now...
Here is a link to the entire article.

Thursday, March 21, 2013

How To Lose Business



I am changing the names to protect the guilty—this particular guilty artist is a very talented, polite and charming person. He wrote to me this week asking me to promote a web hosting service for artists. His proposal impressed me. I liked how his service proposed to present artwork; in his proposal art is presented on a wall like in a gallery and you can zoom in to see every detail. I was moved to write this blog post for my blog:

“Teaching professional development to artists isn’t easy. Artists exist to be creative and innovative, so rules are a foreign concept. Consequently, I provide guidelines and examples of best practices as my methodology.

When it comes to websites, my teaching unit begins with suggestions and proceeds to criticisms of many artists’ websites by design professionals. Finally, I show my class some particularly bad sites. One post on this blog—a rant about a web practice that really irritated me—has more hits than any other post I’ve written.

Over the years, I’ve had lots of website hosting services and designers approach me for some publicity, but I have always declined because it is too hard for me to separate the sincere and legitimate professionals from the scammers.”

In spite of my aversion to endorsements, I was prepared to endorse his services—that’s how impressed I was with the design of his online gallery. But before I published my post, I decided to find out more about him, so I went to his own personal website.

He’d given me the link in his email. His artwork quite impressed me so I clicked on “About” to learn more about him and was so appalled by the amount and degree of errors that I have not blogged about his services. First of all, it seemed very clearly to be written by him, yet it was written in the third person and I find that odd and off-putting.

Although it is not an error, his website broke one of my cardinal rules: writing in the third person is affected and insincere; it implies that there is another party speaking, yet there is never a credit to the speaker. I feel strongly that using the first person—saying “I”—builds a bond with the reader and is the only thing to do when you are writing on your own site. Using the first person is more welcoming than self-referencing in the third person. The Queen speaks in the third person and it is weird when she does. If I saw you on the street and we were friends and I waved and said, “Chris says hello,” wouldn’t you want to keep walking?

There were also errors in grammar, incomplete sentences, references (acronyms) that were unknown to me and probably many other readers and repetition. It was a disaster.

His errors erased my confidence; “spelling counts,” as my teachers used to say. And grammar counts as well. How you write and speak is a reflection of who you are as both an artist and a person. I would buy art from this person in a heartbeat, but would I hire him to host my site? No; I lost my trust in him so I couldn’t endorse his services on my blog.

My teachers were right to make spelling and grammar count. When I think of all the artistic projects that I have undertaken in my life, I could say that writing was their greatest facilitator. It was the grease that allowed all the gears to work. Good persuasive writing skills provided me with grants, permits, sponsors, media exposure, introductions, customers and audiences.

I don’t own a suit, I haven’t worn a tie since the 1970s, my typical shirt is a t-shirt and I can’t abide wearing leather shoes. I am an informal guy and I don’t seek to find fault. But when fault is as extensive as it was on his website, it is a deal-breaker. Although I want to be casual and informal in life, I want to present myself to my best possible advantage professionally and I expect that of other professionals. That means making no errors.

As a creative person, I add style to the essential base of good grammar and spelling in order to stand out. You can do wonders for yourself with effective communications, but you have to be as good with words and ideas as you are with pigment and brushes.

To balance the criticism above, I very much liked the website of Anthony Schrag that I recently visited. (www.anthonyschrag.com ) I love the nice, simple but colourful opening page that says: “It’s great to see you (again).” What a great beginning.

The first paragraph of his “About” page reads as follows: “Anthony Schrag was born in Zimbabwe and grew up in the Middle East, the UK and Canada. Originally, he obtained a degree in Creative Writing in Vancouver, as well as Photography and Sculpture at Emily Carr, and completed the MFA course at the Glasgow School of Art in 2005. He is (mostly) based in Scotland, and does not like to write in the third person.”

I liked that last line—he gets it both ways! His site is simple, compelling, warm and slightly humorous. And I didn’t notice any errors.

Thursday, March 15, 2012

Website Design

The Globe and Mail has a great article online for artists (small businesses) wishing to establish a website:

It’s not uncommon for clients to approach Paul Bellows wanting to build their own Facebook-style website. But it doesn’t take him long to convince them otherwise.

After all, website design and development isn't an assembly-line process —you can’t point at a pre-existing platform or design and say, “I want one of those.”

More here.

Monday, January 30, 2012

BAD: Music on Websites

A short rant on a pet peeve:

I do not like music on visual art websites. Although I love music, and I love visual art and visiting artist’s websites, I hate it when a site includes a sound track. Music on an artist’s website says to me that the artist lacks confidence that her or his work will engage us and so music is added to “seduce” the visitor’s soul. Music on an artist’s website feels like a cheat.

Can you imagine an artist getting an appointment with a gallery director or curator and presenting their work with a sound track? I cannot (unless, of course, it is an integral part of an installation and has curatorial merit). Yet, music is increasingly used as a part of websites. I say, don’t use it—let your art stand for itself and engage our emotions, not the music that is usually the work of someone else.

Saturday, October 15, 2011

Interesting Blog Stats

Andrew Sullivan was one of the earliest bloggers and is one of the most successful. His blog is The Dish (link) and he reports that 95% of blogs are abandoned within 120 days and 60 - 80% of them are abandoned within the first month. A site called Postary (for people who don't want to manage blogs but want to publish a single post to share) has developed a "typical" blog lifecycle:
  1. Euphoric moment of inspiration
  2. Pseudo-manical and self-indulgent perusing of domains
  3. Careful consideration of theme and design
  4. The inaugural post - "Hello world!"
  5. The 2-4 post honeymoon phase
  6. Waning and changing interests
  7. Feelings of desperation and apathy from low engagement
  8. Inevitable abandonment
I retain a lot of faith in the power of effective, well-managed blogs that focus on the needs of the customer and not the needs of the artist. As a resource for buyers—especially when there are numerous postings about all your work and the posts bear the title of the work—nothing beats a blog for the narrative that most buyers want to accompany the piece.

Friday, August 12, 2011

Why Do Artist Websites Suck So Much?

The title of this post was taken of Andrew Sullivan's blog today (more on that later). Jesse Ford, the creative director of a New-York based design firm, feels much as the same as the programmer Andrew quotes. Here's a quote from Ford (who is focusing his firm's marketing on artists):

“As an artist myself, I am very upset by the uniformly poor quality of art on the internet”, said Josse Ford, Creative Director at BWA. “ Artists invest huge amounts of time and energy in their work and they need to take much more care in how they display it. This is particularly true now because more and more galleries and collectors are looking to the worldwide web in selecting and reviewing art purchases. Our aim at Beautiful Websites For Artists is to showcase each artist’s work as if it was in a museum or high-end commercial gallery.”

While many good artist websites do exist, the sad fact is that most art is displayed on websites that look cheap and folksy or are so generic that none of the personality of the artist shines through. “Beautiful Websites For Artists” addresses this need by providing cost-effective website design and consulting services specifically geared to the needs of artists.

“Arts professionals want to see that the art looks great, but they also want to get a feel for who the artist is,” commented Daniel Tardent, responsible for new business at BWA. “A well executed website will never replace a physical meeting with a collector, but it can be the key factor that sets the meeting up – and the value of that is priceless. You just can’t get that from any old designer – they have to understand artists and the art industry”

The text on the grey background, below, is taken from Andrew Sullivan's wonderful, award-winning, widely-red blog, The Dish. I am a huge fan of this ex-Brit who now lives in the USA. This is one person's point of view about artist websites, but an interesting one!

From my perspective, as a web programmer, if you really want to see some reliably lousy websites, then look no further than those that artists (painters, sculptors and the like) put up for themselves. They may not have the "discoey" music gaudiness of some restaurant websites, but as far as everything one shouldn't do when making a website goes, they hit all the major notes:

Using a 10 different fonts on one web page? Check.

Having a bunch of broken links on the front page? Check.

Gaudy color schemes (you know, because the website is an "extension of their work")? Check.

Uploading image files that are way too large, thereby causing any visitor to the website to have to wait ten minutes for a page to come up because each work sample is 4 megabytes? Check.

Updating the website once every six years? Check.

Putting their personal Hotmail address on the front page of the website, thereby contributing to the world-wide junk mail scourge (and not to mention making themselves look like a hack)? Check.

Forgetting to pay their web hosting fees, so that half the time their website is "down for maintenance"? Check.

Oh, and this might be the worst ... taking their visitors' emails and including them in large, un-blind-copied show announcement emails? Great big check.

The list goes on, but aside from the bad aesthetic and bad internet manners, they're lousy as customers - a lot of micro-managing, obsessive-compulsive attention to every unimportant detail (I had a woman once call me and complain that a line break was 2 millimeters lower than where it should have been ... she was holding a ruler up to her computer screen), fickleness, and of course the lack of ability to pay for any of the work they've just demanded too much of your time for.

I learned these lessons long ago and don't service many artists anymore. Unless they pay in advance and have a day job.